Ritual Tools in My Practice

Most forms of Neopaganism use ritual tools to one extent or another, and a great many are similar across traditions.  The nice thing about that is once you are familiar with the standard tool set and the general outline of Pagan rituals you can attend a Circle with just about any group and at least have a pretty good idea what’s going on.

Like most baby Witches I used to be really into the tools of the Craft (Except wands.  I always felt silly using a wand.).   Altar-building was and still is one of my favorite forms of sacred art.  Taking down, cleaning, and rebuilding my altar is a very important ritual in my personal tradition (I even managed to make a video about it once!)…but now, in my 30th year as a  Witchy type (holy smokes!), there are only a handful of tools I use, and most of them are only glancingly similar to the traditional Wiccan toolkit. 

Most particularly I have left off the use the ritual blade common to most Neopagan trads, most often referred to as an athame.  I have one that I have loved for decades, with a black blade and an ebony handle, but I just don’t use it anymore, mostly because I don’t do a lot of full-out ritual.  I work in my bedroom, in a corner where my altar is a folding desk (in deference to my bad back and knees); I don’t usually cast a Circle any bigger than where I’m sitting.  I can do that just fine without waving a knife around. 

To me an athame is a fantastic tool for groups – it helps them focus energy, visualize the Circle, and be aware of the dual nature of power and responsibility.  But as I practice 99% solitary my old pointy friend is currently wrapped up in my box full of old ritual cords, pendants, and other objects I’ve gathered on my spiritual travels.

I only have a few tools that I really use.  What I do have a lot of are pretties – Goddess statues, including my collection of small figures that I call my Wee-ities; natural objects; altar cloths I change out seasonally (or whenever I feel like it), symbols of my particular brand of divinity; divinatory toys and accoutrements; and a framed image of Kore/Persephone by Anette Pirso that I turn depending on the season. 

My Current Tool Lineup

Prayer Beads – I have two sets that I use, one for the darker half of the year and one for the lighter, although sometimes I just grab the strand that calls to me at the time.  I made one and purchased the other online.  They’re a powerful meditative tool for me and I have a number of prayer cycles, gathas, and mantra-type recitations that I use.   I loosely based the original design of my handmade set on the Catholic Rosary – it has different sized/styled beads and several divisions to make counting easier rather than being a strand of all the same size like many malas.  They’re also not loops – I don’t wear them or anything like that – just a straight line.

Chalice – but not one for drinking out of.  It has a candle in it which I light every time I sit down at my altar (and sometimes just for comfort).  The flaming chalice is the primary symbol of Unitarian Universalism.   It has different meanings to different people; I think of it as the light of justice and knowledge held in the palm of the Goddess (since the chalice usually is treated as a feminine tool in the Craft), and looped in by diversity.  (The two circles represented the Unitarians merging with the Universalists.)

I have two on my altar right now:  One that my church gave me when I became a member, and a vintage one I bought that is the centerpiece of the altar.  I do sometimes drink things in ritual but I’ll bring in a different vessel for that.

Pentacle – Mine is a flat wooden disk with the symbol painted on along with representations of the Elements and the Triple Moon.  I made it myself from a plain wood piece.  I use it primarily as a focus during spellwork; I place whatever I’m charging onto it and channel energy into the object through the pentacle.  I also consider it the anchor point of my Circle, like its center of gravity.

Incense Burner – I am not a fan of charcoal tablet incense; it’s very evocative but it’s also high maintenance.  I prefer sticks most of the time and have a small plant pot full of sand into which I stick a whole mess of sticks in different scents that I can just spark up whenever I want just to make the room smell and feel good.  I also have a variety of purpose-made sticks for magical work.

Divinatory Tool – Most often I keep my Light Seer’s Tarot near to hand but sometimes I switch it out for the Shadowscapes deck.  

Candles – There is a novena candle on either side of my altar that’s really just there for light.  Those along with the light in the chalice are usually plenty to see by.

Dragon –  The unsung hero of Pagan life:  The long-necked lighter.  I have one that hangs on the wall next to my altar at all times.

Bell – A dear friend gave me a gorgeous metal bell many years ago that has the loveliest tone; whenever I’m doing something a bit more formal or am cleansing my altar I hold the bell over the surface and ring it once.  That baby vibrates energy like nobody’s business!

And that’s pretty much it aside from whatever magical or seasonal accoutrements I have around the altar.   The decorative items are very important in their own right; I can change the whole mood of my room and myself just by shifting the colors or seasonal objects.  I’m always fiddling about with what’s there.

I suppose I should include my chair as a vital ritual tool since it holds the most important part of all:  My big ol’ Witchy booty.   After all, tools are only as good as the person using them.  A stick is just a stick until you choose to dedicate it as a wand.  

And here’s the video I made a couple of years ago showing all my altar stuff. It looks a bit different now but the layout is still the same.

My Book of Shadows, v. 25 (or so)

Part 3 in my series about the spiritual toys and tools that have remained a part of my practice (or are part of it again, or have become important to me since I’ve started getting my groove back).

One of the things that I always loved about Wicca and its relatives was the idea of a Book of Shadows.

For those unaware, a BoS can be a lot of things to a lot of people. In some traditions the material in it is handed down upon initiation, and is either passed down verbatim or added to by the practitioner. In some traditions the whole thing is your own to create or curate. Some people use it as a journal of rituals, magical work, and divination; others use it strictly as a “cookbook” where they write down spells and rituals, both of their own composition and those copied from books or online. Some people keep two books, one a cookbook and one a journal.

A lot of people use some sort of handmade or beautiful bound book; some use a computer file. I’ve seen some that are sort of both nowadays that you can keep on your tablet but make look like a book using Goodnotes or another notes app. You young’uns and your technomancy!

There’s no right or wrong when it comes to a BoS (which some call a grimoire, others using one term for a journal and one for a spellbook) I’ve had several over the course of my magical career and the only kind I never could really warm up to was the digital variety. Keeping a BoS appeals to my love of pretty notebooks and journaling supplies. My last one was a gorgeous thin book of handmade paper I got at a local bookshop; I wrote in it all by hand, did all the borders and doodles, and nearly filled it up before it became obsolete for my practice.

Okay, there’s ONE “wrong” in a BoS, and that is not crediting your sources. Add where you got a ritual or poem somewhere on the page, both because it’s the ethical thing to do, and so that you can find it again if something happens to your book!

Last year I started a new one. I dubbed it my Book of Moonlight and Shadows, as the duality of shadow and light are very important to my practice, and have combined illustrations, poetry, prayers, and records of Tarot readings so far. I’m absolutely in love with the overall style I have going, so I wanted to show off a few pages here. Notice that you can see the new knob I got for my altar drawer to replace the boring wood one it came with.

Supplies used will be linked at the bottom if you wish to check them out.

An A5 dot grid journal from Archer and Olive; note all the fuzzies on the cover. Their notebooks are gorgeous and super high quality (the pages are 160gsm) but the fabric on the covers attracts dust and hair like you wouldn’t believe. I have cleaned it with a wad of tape and gotten most of the hair off, but living with four cats, it’s kind of a doomed enterprise. Oh, and the edges of the pages are silver-gilded! It’s soooo lovely.
The cover page. The color in these pics is weird, even after white balancing, but note that the paper in A&O notebooks is bright white. The drawing is in ink and colored pencil.
I am primarily posting the Index page to show that I screwed it up and had to patch over it. Any time I get a nice notebook I remove one of the pages to use for patching, as it’s way less distracting than correction tape (especially if your pages aren’t bright white). Also I love the berry bramble border.
A sort of dedication page, featuring a Rumi poem I love that I first heard at church last year. We sing it as a round. I get it stuck in my head all the time!
Even though I don’t celebrate most of the NeoPagan Sabbats (see my post on Beltaine), I love having a Wheel of the Year image in my BoS, and I’m extra proud of how this one came out. I intend to add to the page, filling in the blank spaces with notes on the seasons and adding holidays I *do* celebrate.
Another spread I’m really proud of. These are prayers that I use often, either as a whole or one section at a time, often with my beads. The left side are prayers to Theia, my Goddess of Starlight and Moonlight; and the right is to Persephone, Goddess of Shadow .
The left-hand page is a draft, really, of the verses that would end up in the blog post about breathing prayers; the right is the Seven Principles of Unitarian Universalism, with the logo of my church in the bottom corner. (I just realized I didn’t write the origin of the Principles on the page – look at me violating my own rule! I will fix that immediately.)
Lastly, one of the more utilitarian page spreads – Moon phase lore on one side and number lore (for Tarot cards mostly) on the other.

Not pictured are images of Tarot readings, as those are extra personal. Those pages utilize a lot more washi tape and glued-in images. I’m considering moving my divinatory records to my bullet journal and making my planner much Witchier, in the same vein as Jessica Starr does in this video:

If you’re interested in any of the supplies I used, here are some links. They are not affiliate links and I receive no compensation, I just wanted to share things I enjoy using.

Stringing My Prayer Beads

Part 2 in my series about the spiritual toys and tools that have remained a part of my practice (or are part of it again, or have become important to me since I’ve started getting my groove back).

I love prayer beads. I love the ritual, of course, and I love coming up with repetitive prayers and chants to use with them. I love how tactile they are, how smooth and cool stone beads feel in my fingers. I feel like using beads links me up to hundreds of years of seekers and the devoted from all over the world.

At last count I had two sets. One was specifically dedicated to Persephone, so I wasn’t using them much once Winter came to an end. I found them on Etsy and they feel amazing! There’s something solid and comforting about them that I find instantly anchoring. They’re made with carnelian and rose quartz beads.

The other set I actually had customized by another Etsy shop, and it didn’t have a particular dedication but was more all-purpose. It’s primarily moss agate with a silver oak leaf on one end and a Tree of Life on the other.

I love using both, but as I said, the first set has a particular energy to it that I don’t feel called to use the whole year. In addition, the version of the Goddess I am currently drawn to has two faces, and right now I’m working with the lighter half, who is a Lunar and stellar goddess not based on any specific tradition’s deity but to whom, for now, I refer to simply as Theia.

I’ll have more to say about Them later on. For now, suffice it to say I decided I wanted a set of prayer beads for Theia, but weeks of shopping online came up with nothing that really felt right.

While it may be lacking in the pre-made strand I wanted, one thing Etsy does have is a metric buttload of beads.

Careful shopping came up with the ingredients you see in the wee bowls: Blue kyanite and dumortierite as the main beads; tiny fluted silver spacers; silver leafy ovals as section beads (I believe in a Rosary each section of beads is called a decade), and for the end pieces, a flowered, stylized pentacle for one end and the Moon phases for the other. Add to that some monofilament procured from my roommate (who makes awesome jewelry), and I was ready to go.

I’d kind of forgotten what a pain making prayer beads can be – the first 99% of the strand took about 20 minutes, but getting that last knot on the Moon phase pendant took an hour! It’s still not perfect, but perfection is an illusion anyway, right? Better to have a thing made and use it than to stare at an imperfectly made thing and never get it finished!

Yeah, we’ll go with that.

The result is, if I do say myself, gorgeous. The blue kyanite beads are translucent, and the dumortierite have swirls of blue and blue-black. All the silver gleams.

I’m keeping them in a wooden bowl my mom gave me years ago, which won’t break when the cats inevitably knock it off my bedside shelf. My other two strands each have a container on my altar – the tree beads are in a fluorite bowl and the Persephone beads are in a pomegranate-shaped box. I wanted my new ones to be safe and within easy reach.

What do I do with my beads, you ask? Well, they function basically like any other of their ilk whether a Rosary, Mala, or Misbaha. I have a rotating selection of four-line (or so) chants and prayers that I mentally recite while holding each bead with my right fingers while the other end of the strand rests in my left hand. I start with an invocation at one end – with these beads, the beginning is the Moon phase pendant.

At each oval-shaped “decade” bead, I pause and say a different prayer, usually something that I make up on the spot. Then I go back to the original prayer until the next oval bead. At the end, I finish with an expression of gratitude of some sort.

Sometimes I stop there, and sometimes I go back along the strand until I’m where I started. Sometimes I just think the words, sometimes I murmur them, sometimes I sing quietly. I frequently change things up as I go depending on what feels right, and sometimes I will use the same set of words for a set period of time (say a Lunar cycle) or for a specific purpose (soothing anxiety).

Here’s an example, just to show you how I do it. A lot of this is borrowed from other sources and varied traditions, some of which I don’t even remember, but I use phrases like these in most of my prayers. You’re welcome to use it if you like but please don’t repost it as I didn’t create every line. The sources I can recall are listed at the end of the post. Enjoy!

MOON PHASE PENDANT:
I call upon the Mystery of the Starlit night,
The beauty of the green Earth,
Mother of all things;
I call upon the radiant Queen of the heavens,
Heart’s light and soul’s longing,
Whose hands weave the tapestry of constellations.

INDIVIDUAL BEADS:
Hail, Star of the Sea;
Enfoldment of all enfoldments
whose love is poured out upon the Earth,
Be with me.

OVAL BEADS:
Goddess, tonight I am (however I’m feeling),
(reason for how I’m feeling if I know it);
I pray You will help me find (something I need) to sustain/guide/strengthen/etc me
And keep watch on your wandering child.

PENTACLE PENDANT:
Mother of all things, I give thanks
For the beauty of the Earth,
For the glory of the skies
For the love which from our birth
Over and around us lies; [yes I absolutely stole that]
I thank You for Your blessings
And for Your presence here tonight.
Blessed be.

Sources/Influences:
Doreen Valiente, “The Charge of the Goddess”
Gael Baudino, Strands of Starlight
Folliott S. Pierpoint, “For the Beauty of the Earth”

Altar-ation

Part 1 in my series about the spiritual toys and tools that have remained a part of my practice (or are part of it again, or have become important to me since I’ve started getting my groove back).

For most of the last decade my principal altar has been a sawed-off and refinished organ bench that was once my grandmother’s. I love the piece, and have had it in my all the incarnations of my bedroom since my last apartment, situated within view of the bed so I would see it upon waking in the morning.

It’s been a touchstone for me all that time, even when my spiritual life had dried up and fallen off the vine. I still kept an altar even if all it did was gather dust. Having that space dedicated to what I felt was important in my life was essential to me even if I only ever touched it to clean off all the cat hair.

Over the last few years however I’ve realized something that, while distressing, wasn’t really something I could keep denying: Getting up and down off the floor in front of my altar was very difficult. I have bad knees, a bad back, and my general state of decrepitude has increased as I’ve aged. I had to finally admit that no meditation cushion or mat was going to change the fact that I needed to do something different.

I had already started doing my meditations on my bed anyway; my knees were far better supported there, and I was a lot more likely to meditate if I didn’t have to worry about injuring my rickety self. What I needed was a working space for readings, magic, and whatnot, as well as a shrine for all my Goddess figures, tiny deities, crystals, and natural objects I’ve gathered over the years.

Then I was watching a YouTube video by one of my favorite Witches, Molly Roberts, in which she was repainting her altar table…which basically was a kitchen table. A lightbulb went on! I could sit at an altar in a chair!

Well, online shopping, Target.com, and my COVID hush money pooled their resources to point me toward a lovely little Campaign-style folding desk about the same width as my bench but deeper. I eventually found it in a dark walnut finish that would look nice in my little sacred corner, and behold:

Pardon the white bits, I had just unpacked it and there was styrofoam everywhere.

I was hoping the drawer would be big enough for a dragon (those long-necked lighters for barbecue and camping) but alas, it was pretty tiny, but sized beautifully to hold my Light Seer’s Tarot deck and probably some other things.

One of my favorite spiritual activities is removing everything from my altar, cleaning and cleansing the surface, then placing things back one by one and seeing if anything needs moved, replaced, or stored away for a while.

This took that practice to a whole new level, as I first had to decide which items were most important. I don’t have a whole lot of tools, in the magico-ritual sense; I stopped using most of the traditional Wiccan tools long ago. What I do have are objects imbued with meaning and a few important things that get regular use.

In fact, this will be the start of a new blog series discussing my most valued tools and toys, both because I like talking about them and because they are an excellent measure of just how much my beliefs and practice have changed since I last wrote much about either.

Here is what my new altar looks like at the moment, all decked out with her sacred tchotchkes. It’s still evolving as I decide how to use the different spaces. I also ordered a pretty vintage knob to replace the boring wood one.

Pardon the cat hair. Cats live here. Oh so many cats.

Just a quick look at some of the items, starting on the left lower shelf. If there’s something you see you want to know about that I don’t cover on the list below, drop me a comment and I’ll try to explain myself. I’d like to eventually do a video tour where I can talk about each item.

  1. Inside the cubby is a bowl that is holding the pieces of a project I’m working on – making my own set of prayer beads. I’ll be talking about those in depth once I have all the parts.
  2. Also you can see the pin a friend gave me showing Carrie Fisher (in glitter) with a quote about mental health.
  3. The set of beads in the front left is my current go-to, and I bought them from an Etsy shop.
  4. Up on the shelf on the left is of course my newest candle, one for the second facet of my sort-of-homemade Patroness. You can also see a tiny tiny Ganesh that is actually a French Fève, or, one of the tiny trinkets found inside a King Cake in France.
  5. The fluorite bowl is where my beads are supposed to live, but when this was taken the bowl was still setting up after I glued it back together. It fell the heck apart when I picked it up a while back.
  6. My practice involves pop culture to an extent, and any Pagan who saw Moana and didn’t go all gooey-souled when they saw TeFiti, well, there’s just something wrong with you.
  7. There are also redwood cones I found on my last trip to the Pacific Northwest, and some needles of the same tree that I keep in a jar (over on the lower right).
  8. In the center top is a newer Goddess that used to belong to my roommate; she’ll be getting a bit of a makeover as her paint is all chipped. In front of her is my Flaming Chalice from Live Oak Unitarian Universalist Church, a new member gift that I light at the start of religious endeavors (including at the beginning of our virtual services these days).
  9. The pomegranate-shaped trinket box, meant to be a wedding favor, came from Turkey, and I keep my set of prayer beads for the darker half of the year inside it.
  10. On the lower right you can see the one shrine I made that I never sold, Artemis. I’m not devoted to Artemis but I loved how that piece turned out so much that, when nobody bought her, I decided she should live on my altar.
  11. There are little frogs doing yoga because…frogs doing yoga.
  12. And of course in the front center is my Book of Moonlight and Shadows, where I keep important info, magical records, and diagrams of important readings for future reference.
  13. Oh! And on the wall is a ceramic pig, a gift from a dear friend who got it for me on a trip to the UK. I use it as a sort of charm to help me recenter my vegan practice, and a while back, it broke. HAHAHA thanks Universe. I repaired it, then painted in the cracks with gold paint, in an echo of the Japanese tradition of Kintsugi.